Tag Archives: sci

Saga Issue 12-A Review

I’ll admit that I’m a pretty recent convert to the Saga series, having only just discovered issues 1 to 11 just over two weeks ago, and when I had finally got to the end of Issue 11, I was relieved to see that the next issue was coming out very soon afterwards. Having now finished Saga 12, however, I am outraged. It’s creators, writer Brian K. Vaughan and artist Fiona Staples, have shocked me, appalled me and enraged me with the absolutely sickening content of this issue, and the disgusing levels of moral depravity they have displayed.

What’s the problem? At the end of the comic there’s a notice they’re taking a 2 month hiatus from writing the comic so now I’m going to have to wait ages for the next one. Damn them.

This issue has courted controversy due to the fact that the Comixology digital distribution platform (originally thought to be Apple) decided not to release it due to two stamp-sized images of a some men practicising oral sex together, an utterly bizarre decision considering the very mature content of the rest of the series. After they recieved a great deal of well justified criticism, ranging from “That’s homophobic” to “Considering the content of the rest of this series, that’s bizarrely inconsistent” they’ve now released it, so it’s available from all previous platforms, but yeah, that’s my wee bit of current affairs stuff there. Onto the comic.

Saga Issue 12 is, unless I’m very much mistaken, the first issue in the series to be entirely devoted to the perspective of one of its primary antagonists, Prince Robot IV of the Robot Kingdom (for those of you who haven’t read any of Saga, I assure you that the comic has far, far odder things than mechanical monarchies and you should totally go and read it right now!).  I’ve always had a soft spot for the Prince, and as such I particularly enjoyed the focus Saga 12 had on his character; the PTSD issues he’s struggled with that define his character in a pretty major manner are explored in a great deal more depth than they have been before, and they made for an interesting and compelling part of the issue’s narrative.

Considering the rather more action-driven content of the last few comics, Saga 12 takes a step back from that, and aside from a flashback at the beginning to the scene that began the development of the Prince’s personal problems, the issue is primarily focussed on dialogue and character interaction. This makes for a welcome change of pace, with the Prince questioning the author D. Oswald Heist about the whereabouts of Marko and Alana, the two fugitives he’s hunting. The scene does an excellent job of slowly building up tension, and even though Oswald is an entirely new character for this issue who doesn’t appear until nearly halfway through the issue’s storyline, Vaughan manages to provide him with a distinct personality of his own and a bit of depth, though Oswald does feel at points to be the cut-and-paste “commercially successful author who’s embittered at the success of sell-out works that he knows are trash” character archetype.

Of course, it goes without saying that Fiona Staples does an excellent job of the issue’s artwork. While the art in this issue generally lacks the surrealness of past ones, and there are no grand evocative landscapes present as there have been before, her focus this issue on the expressions and faces of characters pays off for the more muted and less interesting backdrops of Saga 12. I also felt that the visual pun of Prince Robot IV quite literally having blue blood that was in the opening of this issue was nothing short of inspired.

Once again, Saga 12 shows that Vaughan and Staples are one of the most promising duos in the modern comics industry. I’m eagerly awaiting the next issue, however long it may take, and I’ll be unsurprised if it’s as good as the rest of the series has been. If you haven’t yet read any of Saga, the first issue is available for free as a legal digital copy off Comixology, whilst Saga Volume 1, containing issues 1-6, is available for a reasonable price from most well-stocked distributors.

Now if you’ll excuse me, I’m off to glower at the calendar to see if that’s effective in making time speed up.

Leave a comment

Filed under Review, Sci-Fi

With Apologies to China Miéville

Yes, I know what I said back in November in my post reviewing Ganymede; after I’d finished Crime and Punishment, I’d go and read a book by China Miéville to make up for picking another book at Waterstones. In the end, however, I didn’t manage to do this, for two reasons:

1) I’m weak-willed and terrified of commitment.

2) Ack-Ack Macaque has a monkey holding guns on its cover. You can’t blame me for wanting that.

Long and the short of this book is this; Ack-Ack Macaque is pretty damn good and definitely worth your time. So good I read it in two days flat, and I enjoyed every minute of it.

The plot of the book is interesting, if complex; without going into detail and risking spoiling things, there’s a conspiracy by a computer company, a soul-stealing serial killer, the threat of a nuclear war, the heir to the British throne going on the run and a sweary, daiquiri-swilling, cigar-smoking monkey who’s suffering an existential crisis. Despite the multitude of narrative threads, Gareth L. Powell manages to tie them all together very effectively, and in a manner that’s both surprising and yet makes perfect sense.

As well as the titular character of Ack-Ack Macaque himself, a monkey turned Spitfire pilot who is Brtain’s last hope in a steampunked-up version of World War Two, the book is populated by a small but interesting cast of characters; Victoria, a journalist who underwent reconstructive surgery of immense scale after a helicopter crash and now exists as a cyborg, Prince Merovech, the runaway heir to the British throne, his lover and Digital Rights Activist Julie, and the computer hacker and Ack-Ack Macaque’s wingwoman, Mindy/K8 (it’s complicated). While Ack-Ack Macaque himself is a hugely fun character to read, with a boisterous, larger than life personality that seems to explode from the page, I found Victoria was probably the most interesting, well-developed and complex character of the entire cast; the effects of the accident and her subsequent reconstruction, which has left more than half of her brain as synthetic ‘gelware’ are explored in great detail, and even though she’s more machine than woman she still retains a great deal of complexity and humanity throughout the novel. Conversely, however, Mindy/K8 feels rather undeveloped for a key character who is prevalent for a pretty big chunk of the novel; I can describe her as ‘chipper’ but that’s about it, really, and considering how well developed the other charcters are that issue does stand out rather.

It bears noting that the worldbuilding of the novel is truly stellar; going for a style touted as ‘Monkeypunk’, a good part of is set in an alternate universe in the year 2059, where Britain and France merged in the 1950s to form a new global superpower. Taking influence from Steampunk and Cyberpunk alike, the setting is well realised and detailed, its technologies and politics are key to the plot and is also an interesting exercise in flexing the old ‘what if’ muscles. I’ve no idea if Powell plans to write any more works in the setting, but if he does I’d certainly be interested to see it explored further.

If the book has a major problem, it’s probably that it simply has too many ideas going on at once. Powell manages to effectively tie them up by the end of the book, but there is so much going that the book feels like it’s rushing at points in order to get things done. In some ways, it’s a good thing, as the book gets a breathlessly intense pacing from it, but at the same time it’s trying to do and resolve so very much that there never feels like the characters have any time to breathe; almost every chapter has some kind of revelation, twist or big reveal, and while they’re all interesting it does mean that the characters themselves don’t get as much room to flex their muscles as I feel they should have had.  Yes, I can appreciate that some books have a certain pacing in order to convey a message (Crime and Punishment is so slow you can feel the pages calcify under your fingers as you read them, though that’s for the purpose of holding up a mirror to the reader of Raskolknikov’s own restlessness and frustration at his situation and shut up I’m allowed to be pretentious every once in a while!) but in this case it doesn’t seem to have any metatextual purpose.

Still, Ack-Ack Macaque is an excellent read; it’s intelligent, well-written and a lot of the time, is pure fun. If you can only get two books this month, get Ack-Ack Macaque, and get it twice.

Leave a comment

Filed under Review, Sci-Fi, Writing

Story time, kiddies!

So, between replaying Deus Ex: Human Revolution, voraciously thumbing through the Shadowrun rulebook, watching Blade Runner, Akira and Ghost in the Shell and getting ever so slightly addicted to the trailer for CD Projekt Red’s upcoming game, Cyberpunk 2077, I kind of ended up with an itch to write something cyberpunk-themed. This was the result, so do enjoy.

A Good Night’s Work

London was having a dry night, a rare thing for autumn.

Clouds were still hanging around the sprawl of skyscrapers that occupied its heart, monoliths of glass and glaring light, a forest of colossal shining trees with downy, pollution-laced water vapour as trailing, diseased foliage. Here and there, there were clearings, where the old buildings clung to life, surviving on their historical value alone as the hungry giants crowded around them.

Further away from London’s ever-beating heart and the city’s buildings began to grow lower, the heights sloping out as it began to reach the suburbs. Here and there they were broken by anachronisms of architecture; low, old buildings, often built from pollutant-scarred brick, or massive tower blocks spearing high into the sky, housing thousands. The streets were quiet with the nightfall curfew, the only vehicles moving on the streets being patrolling LENSE cars.

To the east of central London, near Thamesmead, on the bank of the River Thames, a man who went by the name of Winter was lying on the roof of a block of flats, a late 2020s construction with a metal and brick façade pitted and tarnished by acid rain. He had a sniper rifle in his hands, its butt pressed into his right shoulder, the weapon resting on a bipod, the tip of its barrel jutting out over the street below. He was watching two guards on the top of the building opposite, gangers in balaclavas holding cheap rifles, keeping a disinterested watch on the street below. They had no reason to be suspicious; this was Thamesmead under curfew, and so far on their month of taking watch the most interesting thing they had seen were passersby.

They paid no attention to the white van parked on the opposite side of the road to the building. They had no reason to; the vehicle was one of the many ubiquitous, universally despised vans that traversed London’s roadway every day, impossible to pick out from a crowd.

Had they bothered to inspect it closely they may have seen that this one was different. Beneath its anonymous white panelling was a layer of reinforced titanium alloy and carbon fibre helioweave, and the hydrogen engine in the bonnet was a custom-made one, able to deliver much more horsepower than the one the van had had in the dealership.

Within, there were four people. Waiting in the driver’s seat, ready to pulse the engine into life through neurolink command, Bentley Royce drummed his fingers on the steering wheel and amused himself by watching videos of cats on his Pupilvision.

Cortex: You should really be concentrating, Bentley, a line of text scrolled on his vision.

whatever jar, he shot back through the neuronet. got nuthin 2 do until we need 2 run

He grinned at the irritation that bled through the impeccable spelling and grammar of Cortex’s reply.

Cortex: Stay focussed, Bentley. I don’t want to be caught by LENSE just because you were too busy watching idiotic videos of animals.

relax jar itll be fine

In the back of the van, Cortex decided to leave the conversation there. Had he eyes, he would have rolled them at Bentley’s obnoxious choice of nickname, but as he did not he simply returned his attention to the wireless network of the building’s neurolinks. Cortex shared the back of the van with two others; Braveheart and Disraeli, armed to the teeth and equipped with their military-grade weapons, cybernetics and body armour. Cortex would not, and could not, join them; his own body was long gone, and he sat in the van as a brain within an armoured box, the spinal cord leading from it connecting to thousands of wires within its tank of amniotic fluid rather than an organic body. Constricted as he was, he danced through the cyberspace around the warehouse building, planting viruses in the neurolinks of its occupants in ready for activation at his command.

The final member of their group, Carnifex, was waiting in the wings, watching from an alleyway and ready to burst in through a side door. The silvery mask she wore, a blank theatrical one with its full lips faintly smiling, peered at the door from the shadows, the only colour she wore aside from the black-grey of her ablative bodyglove.

On the edge of his pupilvision, Disraeli could see their ready statuses were green, the squad’s signals across the TacLAN giving the good to go. One hand rested on the handle of the van’s door, the other on his assault rifle, and opened a link.

“Waiting on you, Winter,” he said into the squad’s comm..

On the rooftop, the marksman found his target. He exhaled, depressing the trigger.

A line of red blood, pulverised bone and jellied eyeball and brain matter flew from the left side of the head of the man in the scope, arcing across the rooftop like the unfurled petals of a madman’s flower. He fell, and his companion froze for a split second, casting around for the marksman in a semi-coherent panic. Winter shifted his aim and squeezed, the second round embedding itself in the man’s throat.

In the van below, Disraeli heard the sounds of rifle shots, even with the silencer affixed to its barrel. He glanced over at Braveheart, who nodded at him as she readied the shotgun she carried, pulled open the door and barrelled out into the street. He could see panicked silhouettes moving and flailing in the windows of the floors above as Cortex activated his viruses. The gangers would have a few moments of painful disorientation as their neurolinks and pupilvision lit up with a painful show of sound and light, and they would need to deactivate them before they could try doing anything else. As Disraeli and Braveheart moved, a glass pane shattered on a floor above and a wall was painted with blood as Winter fired once more.

They reached their target, the doorway they intended to breach through. It was a heavy thing, installed a few centuries after the construction of the Victorian building, thick, reinforced steel designed to hold against all but the heaviest of impacts, secured in place by heavy bolts and a lock. Braveheart span up her augmetic right hand, the robotic fingers wedging together into a drill. Pulverised chips of brick dust flew as she bored towards its hinges, smashing around the mortar and masonry that made up the far weaker part of the portal.

Orange powder coating the tips of her fingers, Braveheart stepped back to admire her handiwork as the augmetic returned to its default configuration, three holes punched through to the now-mangled hinges. Disraeli slammed his boot into the door, and like a felled tree it toppled inwards, clanging as it hit the concrete floor.

Both him and Braveheart burst in at the same moment, weapons up and sweeping the bare whitewashed room for hostiles; the only thing they saw was a table and a couple of chairs, and they moved to the next doorway.

“Carnifex, this is Disraeli,” he called across the radio. “We’re in; what’s your status?”

“I’m in,” Carnifex replied, wiping the blood off the blade of one of the knives she carried. A lazy coil of smoke wormed up from the barrel of one of the pistols mounted into the back of her wrists as she moved away from the three corpses. “I’m heading to the breakers now.”

“ETA on the power being out?”

“Two minutes. Carnifex out.”

Disraeli nodded to Braveheart and gestured to the door, and her metallic fist slammed into the handle. It flapped open like a shutter in a hurricane as Disraeli burst through, rifle in his shoulder. He saw movement in his vision, a figure turning to face the door, and his rifle snapped up. A squeeze of the trigger sent three rounds smacking into flesh, a yell of pain accompanying his collapse.

He moved towards the body, watching it as Braveheart moved in after him. The ganger wasn’t dead, hands clutching as slick puncture wounds, fingers fighting to staunch the flow of blood. He was moaning in pain, whimpering and sobbing, and he looked up at the impassive, helmeted visage of Disraeli as the mercenary loomed over him. He sniffed, snorting through tears and phlegm.

A snap, and Disraeli’s pistol ended his misery.

“We’re not going to have much time before the Mags get here,” Braveheart warned as the two hunkered next to the next door, her Scottish accent audible even through her helmet. “Let’s not waste it with drama, alright?”

“I know,” Disraeli said, resting a hand on the doorknob as Braveheart unhooked a flashbang grenade from the webbing she wore over her body armour. “You ready to breach?”

She nodded, and Disraeli pushed the door open as she pulled the pin, pressed the activation lever and threw it through. The door slammed shut once more, Disraeli waited for the crump, and burst through.

There was yelling and chaos within, and he sighted on a stumbling, baffled figure that was out in the open. He squeezed the trigger, sending the man reeling away to clutch at his side and scream, and snapped off a few more rounds at another of the warehouse’s defenders up on a balcony. They went wide, pockmarking the wall beside his target, and he ducked into cover behind a shelving unit as a few return shots from his enemies that were either quick or lucky enough to avoid the worst of the flashbang’s brunt began to hit the area around him.

He risked a peek around the corner. Vacant shelving on one floor and a balcony above them, seven or eight hostiles raining fire on his position. A ping sounded from next to his head and he ducked back, squeezing off a desultory burst from his rifle in order to try and force the enemy’s head down.

Darkness swept across the room like a blanket of black velvet. There were yells of confusion and the world became shaded with stark tones of blue-white as Disraeli activated his helmet’s night vision. He peeked back out of his cover now that the enemy’s rounds were going wide, switched his rifle to single shot and depressed the trigger. One man was hit in the shoulder, yelling and dropping his weapon to clutch at the wound, but the other two saw the flare of light from Disraeli’s shot and send rounds towards him.

He ducked back as the shots began to hit home once more, cursing as the occupants of the warehouse hammered fire towards him. He grunted as one thudded into the armoured shoulder of his bullet-proofed vest, as the flesh beneath it turned raw and painful. That was going to bruise.

A window shattered and one of the men on the balcony screamed as a bullet flew in from outdoors, Winter’s handiwork, forcing the heads of the two other gangers down. There was a brief lull as they tried to move out of the marksman’s line of fire, while another window exploded inwards in a shower of shattered droplets of ice.

“Cover me!” Braveheart called, scurrying forwards toward the gangers on the ground floor. Peeking out from his cover and ducking back a moment later as a round zipped past him, he could see none of them aiming for Braveheart as she moved. He had all of their attention, it seemed.

He poked the barrel of his rifle out, managing to squeeze off a few return shots, but it did nothing to force his enemy’s heads down; if anything it only gave them something to focus their fire on.

There was a boom of sound and a flare of light as Braveheart drew level with the enemy on the ground. Disraeli managed to see a man tumble to the floor, arm ripped from his shoulder by the weapon, and Braveheart stepped over him, squeezing the trigger once more. One of the men who had been alerted to her presence died in an instant as the spray of buckshot tore his skull in half, wet chunks of viscera flying across the room to land on the man next to Braveheart’s victim. He froze as he felt the warm spatter of blood, bone chips and brain matter land on him, and died in that instant as Braveheart squeezed the trigger a final time.

More gangers began to press into the room, yelling out into the confused darkness as the torches they carried bobbed and flashed with a schizophrenic fitfulness. Braveheart and Disraeli managed to take a few more down as they entered, but more managed to stumble in through the darkness and find somewhere to duck down and shoot back.

“Cortex!” Disraeli called into the radio. “Cortex, do the police know something’s going on?”
“They’ve got an ETA of five minutes, probably sooner if they send drones, which I reckon they will if there’s as much noise going on as this,” Cortex warned. “I’ve masked us from their scans but they’re just following the noise of the gunfire.”

“Alright, keep them blind as long as you can,” Disraeli said. “Bentley, start the engine and get ready to go.”

“Already done,” Bentley replied. “Hurry up, will you? I’m getting bored back here.”

Disraeli ignored him, and switched to Carnifex’s neurolink port.

“Carnifex, you hear me?”
Loud and clear Carnifex replied via text. Text communication had the potential to be distracting during a firefight, but she was currently in no position to speak.

“We’ve got five minutes tops to get this done,” Disraeli said. “Get that package ASAP, will you?”

On it. Will contact you when it’s done.

She returned her attention to the corridor below her, where the current quarry she was stalking had just passed underneath her. The balls of her feet were pressed against the walls on either side of the corridor and in a single movement she released, dropping down to land feet first behind her prey. The first one barely managed to turn around to face her before her knife whipped out and buried itself in his throat. The other one swung at the half-seen spectre with the butt of his rifle, but Carnifex turned past the swing and jabbed the metal tips of her fingers into his gullet. Gasping and choking, he stumbled back, sagging to his knees as Carnifex stabbed into the back of his skull with her knife, the titanium blade separating his brain from the rest of his spinal cord.

She set off down the corridor, footsteps ringing off the peeling whitewashed walls. She checked the ammunition readout of the two pistols mounted into the back of her forearms on her pupilvision, and nodded; no need to change the clips just yet.

From ahead of here, there was the sound of raised voices. No, a raised voice, somebody shouting at somebody else. She sampled and enhanced the voice from the espionage-grade audio equipment implanted in her ear canal, played back to her at a split second after she heard the muffled version.

“You don’t think I don’t know that they’re after it? Of course that’s what they’re here for! So you go out there and fuckin’ kill ‘em, you hear? I didn’t beef you up with all those chems and fancy tech so you could sit on your fat arse when trouble came around! Get the fuck out there and deal with this! I can look after myself.”

A different voice replied; “Yes boss.”

Carnifex frowned beneath her mask; so one of the gangers had got auged up, it seemed. Not surprising; considering how lucrative the drug operations the East End gangers ran were they had more than enough money to get some good tech.

There was the sound of a door opening and Carnifex swept around the corner, both wrist-pistols aimed, a knife held in each hand. The man that had stepped through the doorway and into her field of a vision was a giant, seven feet in height, bulging with muscle beneath his clothes. One metallic hand held an assault rifle, a massive blade was unfolded around the other and two lenses glared from his eye sockets right at Carnifex.

She fired, rounds slamming into him from her pistols, empty shell cases chiming on the floor around her. He jolted and shuddered as they hit, stumbling back a pace, and Carnifex only stopped when the weapons were exhausted of ammunition.

Her target was doubled over, and as Carnifex ejected the spent magazines from her wrists, he righted himself. His shirt was torn and bloodied, but in the gloom Carnifex could the gleam of metal beneath the wounds; sub-dermal ablative armour, an expensive piece of technology indeed.

“Fuckin’ bitch,” the man snarled, raising his assault rifle and firing.

Carnifex ducked away around the corner as soon as the weapon was up and firing, the reaction augmentation package she had had installed in her cortex saving her life as it did its work. The rounds shredded the corridor around her, but Carnifex was out of harm’s way for the moment.

The brute appeared the corner, the massive blade in his arm ready to swing at Carnifex. It slashed down as it saw her, but Carnifex ducked under the swing and caught the rifle as the augmented giant tried to bring it up for a point blank burst in her direction. She twisted, trying to disarm him, but all she managed to do was snap the weapon in two. Good enough.

She threw the heavy lump of metal at the man’s face and got a grunt of surprise, and she dodged away as he slashed at her with the bladed arm, springing back with a mechanical whir, landing gracefully a good fifteen feet away. Her enemy may have had augmentation work, but so had Carnifex; all four of her limbs were artificial improvements upon the ones she had been born with, and she had a fearsome array of sensory and nervous reaction suites surgically implanted in her brain. It was good, but right now she wasn’t sure it was enough.

For a moment, the two mechanically enhanced nightmares of human beings faced each other, before the augmented thug raised his weapon and charged. Carnifex dodged around and under his swing, turning to stab a knife into the back of her opponent. A massive mechanical hand closed around her wrist, and lifted Carnifex up, her enemy staring at her face to face.

She lifted her legs and kicked out, heels slamming into his midriff. Retractable blades sliced from each heel and slammed into his stomach, and she used the impact to propel herself away in a flip. She landed in time for her enemy to right himself, two more bleeding holes in his stomach and a snarl on his face.

With a roar, he charged, slashing at her with the blade. Carnifex spun away, dodged the punch that he sent swinging after her. She sidestepped to his outside as he stabbed at her with the blade and stabbed one of her daggers into the joint of the man’s elbow. Sparks crackled around the blade and the thug stepped back, forcing Carnifex away with a wild, uncoordinated swing, yelling in pain as the autoneurones built into the weapon went haywire.

He reached around with his other hand and wrenched the blade free, tossing it away, the knife skittering across the floor like a metal rat. There was a snarl of terrible, apocalyptic fury on his face, and he thundered straight towards her, bladed arm raised like a sword. He slashed down at Carnifex as he reached her but she ducked under the swing, tucking and rolling beneath him. The tip of the blade gouged out a chunk of the wall, but he turned and sliced at her again.

The assault may have been less coordinated, but the sheer ferocity forced Carnifex back along the corridor. She couldn’t block, she could barely dodge, and she didn’t have an opening to reload her pistols.

She suddenly dodged forwards, sticking close to one of the walls. Her opponent stabbed at her and she rolled around the blade as it slammed into the brick with a puff of pulverised paint and mortar. The brute swore as he tried to tug it free, Carnifex forgotten for a moment. That was all she needed, appearing behind him, remaining knife in hand. She grabbed his jaw and pulled his neck back, baring his throat and kissing it with the blade.

She left him there to collapse, one arm still embedded in the wall and blood creeping down his throat. She reloaded her pistols, picked up her other knife from where it lay discarded on the floor, and kicked down the door.

“What the fuck is – oh. Oh shit,” the portly man behind the desk managed to splutter as he saw Carnifex standing in the doorway. He had lit candles to illuminate the room, she noticed. “What do you want? What is it you want?”

“The hard drive,” Carnifex said, advancing on him, training a pistol on him. “Where is it?”

“In the safe,” he said, gesturing to the metal box in the corner. He caught the next look she gave him underneath her mask, and added; “The code’s four eight five nine.”

She crouched down next to the safe, one hand still pointing her pistol at him. A single finger tapped in the code and the heavy steel door swung open, to reveal the unassuming metal box within.

“Disraeli, I’ve got it,” Carnifex said, taking the hard drive that they had been sent to retrieve.

“About time,” Disraeli’s voice on the nuerolink had a mixture of relief and exasperation at Carnifex’s slowness on it. She wondered if he would appreciate her telling him of the augmented monster she had just had to deal with and decided that he probably wouldn’t. “Get back to the van, we’re bugging out.”

“Understood, Carnifex out,” she replied. She stepped towards the doorway, weapon still trained on the ganger boss, and added; “If you run quickly, you might be able to get out of here before LENSE arrives.”

With that she was gone, sprinting towards the window. She jumped, diving through an old window, curling into a ball to protect herself from the shards of flying glass and uncurling as she hit the ground. A normal human would have had their ankles snapped by the impact; that was of no concern to Carnifex.

She saw Bentley’s van, the back doors open. Disraeli was leaning out them, snapping off bursts at some of the gangers who had spilled out of the warehouse doors. Instead of going around them and risking being shot by her own side, Carnifex went up, leaping onto the roof and vaulting into the vans inside from there. Disraeli followed a moment later, slamming the door shut, and the engine roared and tires squealed as Bentley gunned the engine and pulled out down the road at full speed.

Bentley’s pupilvision lit up with the navigation overlay he had had installed on them, and he scanned the scanned route marker that ran along the map in the corner of his vision. He took a left, then a right, and raised an eyebrow as Cortex warned; “LENSE drones, heading down the street. Attack ones, too; they’re not messing around tonight, it seems.”

Bentley pulled the van in, killed the engine and ducked down as two silver machines hovered down the street, suspended amongst the upper storeys on whirling rotor blades, heavy-duty nonlethal weapons jutting from their stubby wings along the with barrels of a pair of machine guns. On the silver hulls of both of them, the word ‘LENSE’ was stencilled, and beneath that, ‘Law Enforcement and Neural Security Executive’. He watched them go through the windows, but they passed the van by without stopping, too intent on getting to their pre-programmed destination.

“We alright?” Disraeli asked from the back. Bentley waited a few moments, peering back out at the drones as they passed around the corner.

“Yeah, I think so,” Bentley said. He saw something flash up on the driving interface of the van and snorted. “Cheeky bastards just gave me a parking ticket.”

“Let’s just count ourselves lucky it was only a ticket,” Disraeli said as Bentley pulled out of the parking space and started driving once more.

“Fine, but I’m counting that as an expense,” Bentley said.

As he took to the road once more, heading in the direction of Peckham and stopping only once to pull aside and duck down from a pair of LENSE cars as they sped by, sirens screaming, Bentley grinned. They’d got the hard drive, got out of there whilst making it look like a standard hit on one group of gangers from another, and managed to get away without LENSE cottoning onto them.

A damn good night’s work indeed.

Leave a comment

Filed under Sci-Fi, Story, Writing